Free PDF Thirst: Poems, by Mary Oliver
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Thirst: Poems, by Mary Oliver
Free PDF Thirst: Poems, by Mary Oliver
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Review
To read Thirst, is to feel gratititude for the simple fact of being alive. This is not surprising, as it is the effect [Oliver's] best work has produced in readers for the past 43 years. —Angela O'Donnell, America Magazine "Mary Oliver moves by instinct, faith, and determination. She is among our finest poets, and still growing." —Alicia Ostriker, The Nation"It has always seemed, across her [many] books of poetry, . . . that Mary Oliver might leave us at any minute. Even a 1984 Pulitzer Prize couldn't pin her to the ground. She'd change quietly into a heron or a bear and fly or walk on forever." —Susan Salter Reynolds, Los Angeles Times "Mary Oliver. In a region that has produced most of the nation's poet laureates, it is risky to single out one fragile 71-year-old bard of Provincetown. But Mary Oliver, who won the Pulitzer Prize in poetry in 1983, is my choice for her joyous, accessible, intimate observations of the natural world. Her Wild Geese has become so popular it now graces posters in dorm rooms across the land. But don't hold that against her. Read almost anything in New and Selected Poems. She teaches us the profound act of paying attention—a living wonder that makes it possible to appreciate all the others."—Renée Loth, Boston Globe
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About the Author
A private person by nature, Mary Oliver has given very few interviews over the years. Instead, she prefers to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published many works of poetry and prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver’s essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008). Oliver currently lives in Provincetown, Massachusetts, the inspiration for much of her work. Beacon Press maintains a Mary Oliver website, maryoliver.beacon.org. You can also become a fan on Facebook at www.facebook.com/poetmaryoliver.
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Product details
Paperback: 88 pages
Publisher: Beacon Press; 1st Edition edition (September 1, 2007)
Language: English
ISBN-10: 0807068977
ISBN-13: 978-0807068977
Product Dimensions:
6.2 x 0.3 x 8.5 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
132 customer reviews
Amazon Best Sellers Rank:
#35,351 in Books (See Top 100 in Books)
I didn't know the name Mary Oliver or anything about her poetry until sometime during the past few months. I learned of her writing as I often learn of poets and authors with whom I am unfamiliar, i.e. through a book or magazine article that I'm reading. Her name and poems kept appearing in what I was reading. "Thirst: Poems" is the first book of poetry by Ms. Oliver that I have read, and I haven't even finished it yet. If you look her up on an internet search engine, you will learn that she has published several (30 or more?) books of poetry. I'm continuing to read this volume a few poems at a sitting. Reviewers cite Ms. Oliver's poems on nature and the natural world as a primary subject. I have just been looking through the volume and, in this season of Lent, have been drawn to some of her poems that deal with faith and spiritual subjects, e.g. "Gethsemane" and "The Poet Thinks about the Donkey." I gave the book a 5-star rating because, at least thus far, her poems are very readable. She communicates well. Reading her poems, you could almost feel as if you had known her for a good, long time.
I’d expected to love this one because it was the book published after Oliver’s partner of 50 years died and supposedly was a beautiful meditation on grief. I didn’t get that. Unlike most of Oliver’s books, there were few passages I highlighted or poems I bookmarked to reread. Her discussions of religion — more prominent than in other books — seemed awkwardly formed, as if she was trying to find solace in it but couldn't. I’d put this one lower on the list of Oliver titles to try. That said, two bits I liked a lot. One is where she absorbs a lesson from roses around the world in springtime: “the answer was simply to rise/ in joyfulness, all their days./ Have I found any better teaching?†The other is a conclusion about grief: “Therefore I have given precedence/ to all my sudden, sullen, dark moods/ that hold you in the center of my world./ And I say to my body: grow thinner still. And I say to my fingers, type me a pretty song./ And I say to my heart: rave on.†Grade: B
This is a small, but convincing volume of poetry by an author who clearly knows the tools of her quite trade well. The pieces included are mostly celebratory in nature, which I appreciate, thinking along with the poet that the world is a mostly beautiful place about which endless happy songs should be sung. We have had enough laments for a while, perhaps.And there are happy songs here concerning snowfalls in which the speaker comes home "red-cheeked from the roused wind," trees that speak through their leaves, and luna moths. A dog appreciates a sunset, we look into the "nameless stars" that swim in a snake's eye, and the ghost of Walt Whitman seems to inhabit lines such as: "when I speak to the fox,/ the sparrow, the lost dog, the shivering sea-goose, know/ that really I am speaking to you whenever I say,/ as I do all morning and afternoon: Come in, Come in." Oliver is speaking to God, however, whereas Whitman was speaking to humanity, or the great natural world as an indivisible whole.The lament inevitably comes, however (about halfway through the collection). And the later poems in Thirst deal almost exclusively with the speaker's attempts to reconcile herself with Christiandom's version of god. They lose their footing and slip into a kind of unpleasant (to me, at least) sermonizing. By the end of the book, there are few concrete images left and purely dogmatic statements have crept into the material, although it should be kept in mind that these pieces probably were specfically targeted to Christian and/or Catholic markets.Overall, it is not worth the price but well worth your time, if that makes any sense.
Here I thought ONLY Khalil Gibran's poetry, no matter how many times I've read it, could ever move me to tears. My god, how wrong I was and for this, I could not be more grateful. This is writing which brings a keen awareness to the magnificence and innocence of being and of being in nature. It shall melt your heart over and over again as your consciousness moves through the soul of her words. Experience your spirit soar and your heart expand ad infinitum.
I bought this little book for my daughter-in-law, who discovered Mary Oliver last year and has raved about her poems. As I read through this volume before sending it off, the many reasons Oliver is so popular became very clear to me. Much contemporary American poetry is so impenetrable that it holds interest only for English graduate students or professors. I myself was a college English teacher, but when I sit down to read a poem now, I do it for pleasure, not as an excuse for exegesis. Pleasure is what Oliver's poems provide, even as they touch the heart and elicit tears. They are unpretentious, direct, and very lovely.
Clearly, Mary Oliver has grown more religious as she's aged. (She's in her late 70s now.) And there are some Christian images in this new poetry which may surprise her readers. But some of these poems are also deeper and more personal than earlier work, and I like having them on my Kindle for easy reference.I'm not quite sure who's responsible for the electronic layout, but I found it frustrating that some lines appeared in larger type than others. In fact some stanzas were of different sizes, which I found irritating. And who wants someone to tell you how much time it will take you to "finish" a book of poetry? In this case, I'd say a few years.
Wonderful and uplifting!
Get mindful and read her work!
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